Download Ebook , by V. E. Schwab Victoria Schwab
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, by V. E. Schwab Victoria Schwab
Download Ebook , by V. E. Schwab Victoria Schwab
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Product details
File Size: 1575 KB
Print Length: 320 pages
Publisher: Titan Books (March 12, 2019)
Publication Date: March 12, 2019
Language: English
ASIN: B07L2GGTWW
Text-to-Speech:
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Amazon Best Sellers Rank:
#20,849 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Lexi Harris lives in the village of Near. Secluded in the vast stretches of the moor, Near and its residents live a quiet, if mundane, existence. That is until a strange, ethereal boy arrives in town. As young children begin to go missing in the middle of the night, the outsider is blamed, but Lexi is convinced a dark, older, more nefarious entity is behind the disappearances: The Near Witch. A story filled with magic, love, and heart, VE Schwab's THE NEAR WITCH is an absolutely beautiful read.I will always freely admit i am a massive VE Schwab fan. THE NEAR WITCH seems different than her other works. As her first novel, THE NEAR WITCH is smaller, a more intimate story. Her characters don't quite have the complexity she is now known for, but you can see the beginnings of everything to come. Lexi is stubborn and filled with angst and conviction. She's the character you want to root for. Cole's mystery is what seems compelling. The love story is alright, but it is secondary to the overall conflict.There are many themes throughout: family, love, acceptance, isolation. Everything is brought together well but unexceptionally.What truly sets this book apart is the absolutely gorgeous writing and amazing setting/atmosphere. Schwab has a lyrical storytelling quality that makes you feel the grass of the moors at your feet, see the wind blown trees, and connect with the natural rhythm and beauty of Near just like Lexi does. This has become one of my favorite books for the writing alone.THE NEAR WITCH is one of those hauntingly beautiful books you should crack open on a blustery, rainy night. It is subtle, quiet, and unimposing, but settles around you like a comfortable blanket. There is something familiar in the tale of witches and young love that makes this simple story a treat to experience. I have a feeling I'm going to read this book again and again.
Great â€â€â€Å½
I opened this gorgeous book, read the first paragraph, and, friends, I’m not exaggerating when I tell you I gave the loudest, most wistful sigh. I was home. Victoria’s writing was just as gorgeous then as it is now, and frankly, if you don’t like rambling “gush†reviews, you might as well close this now, because I just want to get emotional and cry at you all a little over how much this story meant to me.First, this setting? Flawlessly atmospheric. Never once does the plot or character development suffer for the sake of setting, but I felt so sucked into the town of Near that I could practically smell and feel and hear the moor, right here. I adored every moment well-spent on the grassy hills, the rain, the stones under Lexi’s feel, the old hut the Sisters lived in; it was all so wonderful and poetic.But when I say this story meant something to me personally,friends, I’m talking about the incredible care Victoria took while crafting these witches. If you ask any pagan or craft-practicing person, they’ll tell you that we’re not used to being painted in such a nuanced light, but here, that’s what I got, and it was wonderful.Now, I won’t spoil the story by saying if the witches are good or bad, or both, but what I’ll say is that there’s a pair of characters—two elderly sisters, who the town is convinced are old witches with no access to the powers of their youth—and they meant everything to me. I’m a sucker for the elderly mentor characters, regardless, but these women, despite being spurned by the town of Near for simply existing, spend their time crafting wards and blessings for the people who abuse them, and something about that just made me downright emotional. The idea that they could be so complex, and that they would continue to take care of people who didn’t deserve their empathy—that’s everything I didn’t know I needed from Magda and Dreska.The witches weren’t the only characters I adored, though; Lexi and Cole are both incredible in their own rights, but there were quiet, secret, ordinary heroes, too, in Lexi’s mother and her late father. I loved the stories from her dad, and I was cheering every time her mother stepped up to help her or protect her.I just fell so ridiculously in love with so many of the citizens of Near, just like I always do with V’s characters, and I never wanted to leave them. I feel like The Near Witch is the sort of story I’m going to reach for over and over again, for years to come. It is the most gorgeous kind of fairytale, yet it feels like the kind of thing that’s just odd enough to be real, and I mean it when I tell you that this was easily one of the best books I’ve read all year, and will undoubtedly go down as one of my favorite books, period.
I am enormously impressed that this novel was Victoria Schwab's debut. No wonder she's been so successful since. This is one gifted, wildly creative, compelling author.Awaiting the reader: a three-dimensional, compelling protagonist and other well-drawn characters; deft world building; various YA elements; and enough suspense that I (a wimp in that regard) had to stop reading every couple of pages, toward the end, and go do something less exciting before I could come back and read some more.Oh, and in reference to the Acknowledgments: when is Schwab going to keep her promise and write that menopausal art school coven book? I want to read it!
This review is for the audio narration only, not the story or writing. I liked her accent but she had no intonation. She was reading each sentence like a line on a list, I could barely get through 10 minutes and had to return it. I will just read this on my own, because the story seemed interesting. Is disappointing that they didn’t choose a better narrator.
Loved this book. Reminds me of Neil Gaiman.
An excellent early book by a wonderful writer. Sure, for someone familiar with her work, it is, at some points, apparent that this *was* her first published piece and so perhaps not as complex and refined as her others, HOWEVER, that IN NO WAY detracts from the overall quality of this book. It is a well-written story with engaging characters and imagery themed to the dull earthy greys and browns of the moor. Such a unique story! Schwab has always had the gift to transport readers to another world.
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