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Al Schmitt on Vocal and Instrumental Recording Techniques (METAlliance Academy)
Download PDF Al Schmitt on Vocal and Instrumental Recording Techniques (METAlliance Academy)
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About the Author
AL SCHMITT (Los Angeles, California) has been in recording studios since he was seven years old, starting in his uncle s recording studio in New York City. At nineteen, after serving in the U.S. Navy, Schmitt got his first engineering job at Apex studio in New York working with his mentor, engineer Tommy Dowd. He was responsible for recording simple demos, but that changed when a presumed demo booked under the name, Mercer, turned out to be Duke Ellington and his band. Schmitt went on to record sessions for Atlantic Records, Prestige Records, and Bobby Shad s Sittin In Records. Schmitt loves producing and engineering and has been privileged to work with the best and the brightest in the recording industry, including Frank Sinatra, Barbra Streisand, Neil Young, Bob Dylan, Usher and Dr. Dre, to name a few. During his career, he has recorded and mixed over 150 gold and platinum records and has gone on to receive a total of 20 GRAMMY wins and 2 Latin Grammy awards for engineering albums by such artists as Steely Dan, Toto, Natalie Cole, Quincy Jones, Diana Krall, Luis Miguel, Ray Charles, Chick Corea, DeeDee Bridgewater, and finally, Paul McCartney (in 2013, his most recent Grammy win).
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Product details
Series: METAlliance Academy
Paperback: 118 pages
Publisher: Hal Leonard (July 1, 2018)
Language: English
ISBN-10: 9781495094514
ISBN-13: 978-1495094514
ASIN: 1495094510
Product Dimensions:
7.5 x 0.3 x 9.2 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#170,335 in Books (See Top 100 in Books)
I bought this book because I wanted to learn from a master recording engineer. That’s just what I did.Mr. Schmitt details his microphone choices and mic placements. He recommends that the reader buy a few excellent mics rather than many inferior ones. Complete specs for his favored microphones are included.The writing is clear and easy to read. There are some small errors: Reverb is sometimes called “echoâ€; polarity is called “phaseâ€. Some paragraphs are misplaced under the wrong topic. But the text still communicates very well.Many times, Mr. Schmitt advises us to make sure that the artist is comfortable, and to respect their requests.Surprises abound. He often uses omnidirectional microphones. The leakage or bleed that these mics pick up sounds good because he uses the best microphones with minimal off-axis coloration. He often places mics more than a foot way from their sources. Al has the musicians control their own dynamics rather than using compressors, and this gives a more natural effect. He employs compressors only for their vacuum-tube sound. He uses only the best mics, carefully placed, rather than EQ. That helps to provide the smooth, effortless sound we hear on his recordings.Some reasons why he was able to create such great-sounding records are that he recorded top artists, with top-quality microphones, in large top-quality studios. That enabled him to create recording masterpieces without EQ, compression or plug-ins. Many of us do not have that luxury. We record bad-sounding instruments that need EQ, or musicians with extreme dynamics that need compression. We might record in a small basement studio that requires close-miking with cardioid mics to reject the poor acoustics.Still, I love Al’s general approach: Get it right up front. Capture gorgeous sounds during the recording session rather than during mixdown. It certainly works for him! Thank you, Al Schmitt, for a lifetime of priceless recordings and great advice.Bruce Bartlett, author of "Practical Recording Techniques 7th edition."
You read the book and you can just hear Al reading it to you. There is so much good info in the book. His techniques are great, his stories are interesting, and he even provides diagrams about his work. After reading the book I went and recorded a big band. Nothing compared to his work but it just developed that kind of inspiration for me. Al is the man! Oh, and the book I got is hardcover. Can't get any better!
Very readable. Wish I could have heard him work his process.
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